Home Duke University Press
 QUICK SEARCH:   [advanced]


     
  Home | Help | Feedback | Subscriptions | Archive | Search | Table of Contents


Journal of Music Theory 2006 50(1):65-76; DOI:10.1215/00222909-2008-007
This Article
Right arrow Full Text (PDF)
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Download to citation manager
Right arrow reprints & permissions
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Renwick, W.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Duke University Press

Analysis Symposium: "Das alte Jahr vergangen ist" BWV 614

Of Time and Eternity

Reflections on "Das alte Jahr vergangen ist"

William Renwick

This essay discusses tonal ambiguity in the chorale melody "Das alte Jahr" and suggests a poetic interpretation of Bach's chorale. Expressive elements such as the passus duriusculus, the sospiro, and pervasive chromaticism are woven into a radical tonal plan that reflects a multifaceted perspective on time suggested by the change of year. In particular, the chromatic fourth becomes a tonality-defining element that contrasts the essentially diatonic melody. I suggest that the tonal and motivic balances in the piece reflect the duality of regret for the past and hope for the future, as well as a cyclic harmonic plan that reflects the yearly cycle and the notion of spiritual transformation.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?





  Home | Help | Feedback | Subscriptions | Archive | Search | Table of Contents


Copyright 2006 by Yale University