Articles

Brian Alegant

WHEN EVEN BECOMES ODD: A PARTITIONAL APPROACH TO INVERSION
Journal of Music Theory 1999; 43(2): 193-230; DOI:10.1215/00222909-43-2-193 [Abstract] [PDF] [References]  

Edward Pearsall

MIND AND MUSIC: ON INTENTIONALITY, MUSIC THEORY, AND ANALYSIS
Journal of Music Theory 1999; 43(2): 231-255; DOI:10.1215/00222909-43-2-231 [Abstract] [PDF] [References]  

ANALYSIS SYMPOSIUM

Steven Strunk

CHICK COREA'S 1984 PERFORMANCE OF "NIGHT AND DAY"
Journal of Music Theory 1999; 43(2): 257-281; DOI:10.1215/00222909-43-2-257 [PDF]  

Steve Larson

SWING AND MOTIVE IN THREE PERFORMANCES BY OSCAR PETERSON
Journal of Music Theory 1999; 43(2): 283-314; DOI:10.1215/00222909-43-2-283 [PDF] [References]  

Matthew Shaftel

FROM INSPIRATION TO ARCHIVE: COLE PORTER'S "NIGHT AND DAY"
Journal of Music Theory 1999; 43(2): 315-347; DOI:10.1215/00222909-43-2-315 [PDF] [References]  

REVIEWS

Dave Headlam

Style and Idea in the Lyric Suite of Alban Berg
Style and Idea in the Lyric Suite of Alban Berg by George Perle Stuyvesant, NY: Pendragon Press, 1995 68 pp.
Journal of Music Theory 1999; 43(2): 349-358; DOI:10.1215/00222909-43-2-349 [PDF]  

Arnold Whittall

Meter as Rhythm
Meter as Rhythm Christopher F. Hasty New York and Oxford; Oxford University Press, 1997 xviii, 310 pp.
Journal of Music Theory 1999; 43(2): 359-371; DOI:10.1215/00222909-43-2-359 [PDF]  

CONTRIBUTORS
Journal of Music Theory 1999; 43(2): 373; DOI:10.1215/00222909-43-2-373 [PDF]  

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