Articles

Mary I. Arlin

METRIC MUTATION AND MODULATION: THE NINETEENTH-CENTURY SPECULATIONS OF F.-J. FÉTIS
Journal of Music Theory 2000; 44(2): 261-322; DOI:10.1215/00222909-44-2-261 [PDF] [References]  

Candace Brower

A COGNITIVE THEORY OF MUSICAL MEANING
Journal of Music Theory 2000; 44(2): 323-379; DOI:10.1215/00222909-44-2-323 [PDF] [References]  

Joel Galand

THE LARGE-SCALE FORMAL ROLE OF THE SOLO ENTRY THEME IN THE EIGHTEENTH-CENTURY CONCERTO
Journal of Music Theory 2000; 44(2): 381-450; DOI:10.1215/00222909-44-2-381 [PDF] [References]  

Lauri Suurpää

THE PATH FROM TONIC TO DOMINANT IN THE SECOND MOVEMENT OF SCHUBERT'S STRING QUINTET AND IN CHOPIN'S FOURTH BALLADE
Journal of Music Theory 2000; 44(2): 451-485; DOI:10.1215/00222909-44-2-451 [PDF] [References]  

REVIEWS

Kofi Agawu

The Aesthetics of Music Roger Scruton New York: Oxford University Press, 1997; paperback ed., 1999 xx, 530 pp.
The Aesthetics of Music Roger Scruton New York: Oxford University Press, 1997; paperback ed., 1999 xx, 530 pp.
Journal of Music Theory 2000; 44(2): 487-494; DOI:10.1215/00222909-44-2-487 [PDF]  

Kevin Holm-Hudson

Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 xiii, 219 pp.
Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 xiii, 219 pp.
Journal of Music Theory 2000; 44(2): 495-498; DOI:10.1215/00222909-44-2-495 [PDF]  

CONTRIBUTORS
Journal of Music Theory 2000; 44(2): 499; DOI:10.1215/00222909-44-2-499 [PDF]  

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