Articles

Byron Almén

NARRATIVE ARCHETYPES: A CRITIQUE, THEORY, AND METHOD OF NARRATIVE ANALYSIS
Journal of Music Theory 2003; 47(1): 1-39; DOI:10.1215/00222909-47-1-1 [PDF] [References]  

James M. Baker

CHROMATICISM, FORM, AND EXPRESSION IN HAYDN'S STRING QUARTET OP. 76, NO. 6
Journal of Music Theory 2003; 47(1): 41-101; DOI:10.1215/00222909-47-1-41 [PDF] [References]  

Paul Nauert

THE PROGRESSION VECTOR: MODELLING ASPECTS OF POST-TONAL HARMONY
Journal of Music Theory 2003; 47(1): 103-123; DOI:10.1215/00222909-47-1-103 [PDF] [References]  

David Temperley

END-ACCENTED PHRASES: AN ANALYTICAL EXPLORATION
Journal of Music Theory 2003; 47(1): 125-154; DOI:10.1215/00222909-47-1-125 [PDF] [References]  

Kathryn Whitney

SCHOENBERG'S "SINGLE SECOND OF MAXIMUM SPIRITUAL EXCITEMENT": COMPRESSION AND EXPANSION IN ERWARTUNG, OP. 17
Journal of Music Theory 2003; 47(1): 155-214; DOI:10.1215/00222909-47-1-155 [PDF] [References]  

William Rothstein

A Reply to Brian Hyer
Journal of Music Theory 2003; 47(1): 215-222; DOI:10.1215/00222909-47-1-215 [PDF]  

CONTRIBUTORS
Journal of Music Theory 2003; 47(1): 223; DOI:10.1215/00222909-47-1-223 [PDF]  

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