Articles

Daniel Harrison

ROSALIA, ALOYSIUS, AND ARCANGELO: A GENEALOGY OF THE SEQUENCE
Journal of Music Theory 2003; 47(2): 225-272; DOI:10.1215/00222909-47-2-225 [PDF] [References]  

Karl Braunschweig

ENLIGHTENMENT ASPIRATIONS OF PROGRESS IN EIGHTEENTH-CENTURY GERMAN THEORY
Journal of Music Theory 2003; 47(2): 273-304; DOI:10.1215/00222909-47-2-273 [PDF] [References]  

Jean-Paul C. Montagnier

HEAVENLY DISSONANCES: THE CADENTIAL SIX-FOUR CHORD IN FRENCH GRANDS MOTETS AND RAMEAU'S THEORY OF THE ACCORD PAR SUPPOSITION
Journal of Music Theory 2003; 47(2): 305-323; DOI:10.1215/00222909-47-2-305 [PDF] [References]  

Jennifer Bain

THEORIZING THE CADENCE IN THE MUSIC OF MACHAUT
Journal of Music Theory 2003; 47(2): 325-362; DOI:10.1215/00222909-47-2-325 [PDF] [References]  

REVIEW

Alexander Rehding

Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber
Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Indiana University Press, 2004 xii+232 pp.
Journal of Music Theory 2003; 47(2): 363-369; DOI:10.1215/00222909-47-2-363 [PDF] [References]  

CONTRIBUTORS
Journal of Music Theory 2003; 47(2): 371; DOI:10.1215/00222909-47-2-371 [PDF]  

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