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Contents: Volume 50, Number 2, Fall 2006   [Index by Author] 
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ARTICLES Back

Peter H. Smith

Journal of Music Theory 2006; 50(2): 143-179; DOI:10.1215/00222909-2008-014 [Abstract] [PDF] [References]  

Lauri Suurpää

Journal of Music Theory 2006; 50(2): 181-210; DOI:10.1215/00222909-2008-015 [Abstract] [PDF] [References]  

Matthew Bribitzer-Stull

Journal of Music Theory 2006; 50(2): 211-251; DOI:10.1215/00222909-2008-016 [Abstract] [PDF] [References]  

David Damschroder

Journal of Music Theory 2006; 50(2): 253-275; DOI:10.1215/00222909-2008-017 [Abstract] [PDF] [References]  

REVIEWS Back

David Temperley

Robert O. Gjerdingen Music in the Galant Style Oxford University Press, 2007: 514 pp. ($45.00 cloth)
David Temperley is associate professor of music theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press.
Journal of Music Theory 2006; 50(2): 277-290; DOI:10.1215/00222909-2008-018 [PDF] [References]  

Benjamin Steege

Myles W. Jackson Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany MIT Press, 2006: x+395 pp. ($40.00 cloth, $23.00 paper)
Matthias Rieger Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durch Helmholtz' Lehre von den Tonempfindungen Wissenschaftliche Buchgesellschaft, 2006: xiii+174 pp. (EUR 59.90)
Benjamin Steege is assistant professor of music at Stony Brook University. He is the recipient of an Alvin H. Johnson AMS 50 Dissertation Fellowship for the year 2005-6.
Journal of Music Theory 2006; 50(2): 291-301; DOI:10.1215/00222909-2008-019 [PDF] [References]  

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