EDITOR'S NOTE

Ian Quinn

Editor's Note
Journal of Music Theory 2007; 51(1): 1; DOI:10.1215/00222909-2008-020 [PDF]  

INTRODUCTION

Robert O. Gjerdingen

Introduction
Journal of Music Theory 2007; 51(1): 3-4; DOI:10.1215/00222909-2008-021 [PDF]  

ARTICLES

Ludwig Holtmeier

Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave
Journal of Music Theory 2007; 51(1): 5-49; DOI:10.1215/00222909-2008-022 [Abstract] [PDF] [References]  

Giorgio Sanguinetti

The Realization of Partimenti: An Introduction
Journal of Music Theory 2007; 51(1): 51-83; DOI:10.1215/00222909-2008-023 [Abstract] [PDF] [References]  

Robert O. Gjerdingen

Partimento, que me veux-tu?
Robert O. Gjerdingen is professor of music at Northwestern University, Evanston, Illinois. He is the author of A Classic Turn of Phrase and Music in the Galant Style, translator of Carl Dahlhaus's Studies on the Origin of Harmonic Tonality, and former editor of Music Perception.
Journal of Music Theory 2007; 51(1): 85-135; DOI:10.1215/00222909-2008-024 [Abstract] [PDF] [References]  

Rosa Cafiero

The Early Reception of Neapolitan Partimento Theory in France: A Survey
Journal of Music Theory 2007; 51(1): 137-159; DOI:10.1215/00222909-2008-025 [Abstract] [PDF] [References]  

Gaetano Stella

Partimenti in the Age of Romanticism: Raimondi, Platania, and Boucheron
Journal of Music Theory 2007; 51(1): 161-186; DOI:10.1215/00222909-2008-026 [Abstract] [PDF] [References]  

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