Articles

Karim Al-Zand

IMPROVISATION AS CONTINUALLY JUGGLED PRIORITIES: JULIAN "CANNONBALL" ADDERLEY'S "STRAIGHT, NO CHASER"
Journal of Music Theory 2005; 49(2): 209-239; DOI:10.1215/00222909-007 [PDF] [References]  

Steve Larson

COMPOSITION VERSUS IMPROVISATION?
Journal of Music Theory 2005; 49(2): 241-275; DOI:10.1215/00222909-008 [PDF] [References]  

Henry Martin

BALANCING COMPOSITION AND IMPROVISATION IN JAMES P. JOHNSON'S "CAROLINA SHOUT"
Journal of Music Theory 2005; 49(2): 277-299; DOI:10.1215/00222909-009 [PDF] [References]  

Steven Strunk

NOTES ON HARMONY IN WAYNE SHORTER'S COMPOSITIONS, 1964–67
Journal of Music Theory 2005; 49(2): 301-332; DOI:10.1215/00222909-010 [PDF] [References]  

Keith Waters

MODES, SCALES, FUNCTIONAL HARMONY, AND NONFUNCTIONAL HARMONY IN THE COMPOSITIONS OF HERBIE HANCOCK
Journal of Music Theory 2005; 49(2): 333-357; DOI:10.1215/00222909-011 [PDF] [References]  

Erratum

Erratum
Journal of Music Theory 2005; 49(2): 359; DOI:10.1215/00222909-012 [PDF]  

Contributors

CONTRIBUTORS
Journal of Music Theory 2005; 49(2): 361; DOI:10.1215/00222909-49-2-361 [PDF]  

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